“Nothing is weirder than Sacred Harp. Its favored subject matter–the pilgrim, the grave, Christ’s blood–is stark; its style–severe fourths and otherworldly open fifths–has been obsolete for more than a century. Its notation, in which triangles, circles and squares indicate pitch, looks like cuneiform. Yet it exudes power and integrity. Five people sound like a choir; a dozen like a hundred.” — David Van Biema, Give Me That Old-Time Singing, Time Magazine 2008

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