15 July 2017 | Melbourne All Day
7 October 2017 | Sydney All Day
(followed by our regular singing on 8 Oct)
More details on the Sydney page
27-28 January 2018 | Australian Convention, Melbourne
Saturday, July 15 at 9:30 AM – 3:30 PM
Brunswick Uniting Church
212-214 Sydney Road, Melbourne, Victoria, Australia 3056
We can hardly contain our excitement! It’s our 5th Annual All-Day Singing and we would love to welcome you to our singing square. We will start with a brief singing school at 9:30, with singing commencing at 10.
All are welcome! Loaner books available. Beginners warmly encouraged.
Regular singers and people who just like cooking: please bring food to share for lunch.
Donations will be collected to cover costs, but there is no entry charge.
Social events on Friday night, Saturday night, and an extra singing on Sunday afternoon, details to be confirmed.
“Perhaps the chief promoter and good will agent of Sacred Harp music.”
Hugh McGraw started Sacred Harp singing in about 1953, when he developed an instant strong enthusiasm, and persuaded a second cousin (his “Uncle Bud” McGraw, a singing school teacher) to teach him about Sacred Harp music. McGraw then became a Sacred Harp composer, several of whose songs appear in the 1960 and subsequent editions of The Sacred Harp.
Kevin Barrans, a singer from Washington State in the US, provides an excellent overview of Sacred Harp Singing in this video from Seattle’s Art Zone.
Brisbane will hold its first 2017 singing session
Sunday 26th February, 2-5 p.m.
Upstairs hall of West End Uniting Church, corner of Vulture and Sussex St.
Ascend the stairs wiinding up the church exterior from the Sussex St passage-way.
Then take a deep breath, sip some Justice Products tea or coffee and SING LOUDLY!
Welcome, one and all.
The rich multicultural history of Protestant music, which absorbed in the folk styles of each region that was converted, is reflected in the repertory of the Sacred Harpers. There is the influence of John Calvin and the 1539 Genevan Psaltery and of the brilliant Scots psalmodists later in the sixteenth century, where unison and heterophony were fostered; of the musical reformers of the Anglican service; of the radical Methodists, like John and Charles Wesley, who brought many British folk and popular tunes into the hymnals by setting religious words to them; and, all-pervasive, of the Baptists, who led the way in the popular religious revivals in Britain and America and thus introduced many folk tunes and much folksy singing into the church.
From White Spirituals from the Sacred Harp, by Alan Lomax