Sacred Harp Australia

Shape Note Resources & Singings ~ All Welcome

Upcoming Big (or special) Singings

25-28 January 2019 | Australian Convention, Gerringong NSW

More details on the Convention page

Saturday 9 March 2019 | Inaugural All-Day Singing, Kyneton Vic

More details on the Kyneton All Day page

Featured post

Brisbane Shapenote on ABC Radio

Brisbane Shapenote broadcast from ABC LOCAL (i.e., Brisbane) RADIO Sunday 19th November.

There’s a recording here on Facebook.

This was the group’s last singing for 2017.

The next Brisbane singing will be on 21 January 2018.

Remembering Hugh McGraw (20.02.1931 – 28.05.2017)

“Perhaps the chief promoter and good will agent of Sacred Harp music.”
Buell Cobb.

Hugh McGraw started Sacred Harp singing in about 1953, when he developed an instant strong enthusiasm, and persuaded a second cousin (his “Uncle Bud” McGraw, a singing school teacher) to teach him about Sacred Harp music. McGraw then became a Sacred Harp composer, several of whose songs appear in the 1960 and subsequent editions of The Sacred Harp.

Continue reading “Remembering Hugh McGraw (20.02.1931 – 28.05.2017)”

What’s this all about?

Kevin Barrans, a singer from Washington State in the US, provides an excellent overview of Sacred Harp Singing in this video from Seattle’s Art Zone.

New venue for Hobart

In 2017 the Tasmanian Shape Note Singers will be meeting on the 1st Sunday of the month in the historic St George’s Anglican Church HallBattery Point.

More information on the Hobart page.

Brisbane 2017 Singings Kick Off

Brisbane will hold its first 2017 singing session

Sunday 26th February, 2-5 p.m.

Upstairs hall of West End Uniting Church, corner of Vulture and Sussex St.

Ascend the stairs wiinding up the church exterior from the Sussex St passage-way.

Then take a deep breath, sip some Justice Products tea or coffee and SING LOUDLY!

Welcome, one and all.

Quote Note

The rich multicultural history of Protestant music, which absorbed in the folk styles of each region that was converted, is reflected in the repertory of the Sacred Harpers. There is the influence of John Calvin and the 1539 Genevan Psaltery and of the brilliant Scots psalmodists later in the sixteenth century, where unison and heterophony were fostered; of the musical reformers of the Anglican service; of the radical Methodists, like John and Charles Wesley, who brought many British folk and popular tunes into the hymnals by setting religious words to them; and, all-pervasive, of the Baptists, who led the way in the popular religious revivals in Britain and America and thus introduced many folk tunes and much folksy singing into the church.

From White Spirituals from the Sacred Harp, by Alan Lomax

Quote note

“At a point, in the peaking rush of all that harmony, with so many bold, rushing voices around me, it seemed that not just we, but the song itself began to sing! It seemed to just catch fire and burn across us.” — Buell Cobb, Like Cords Around My Heart

The hollow square

The hollow square ready to welcome singers at the  Dickson Street Space. By Meg Quinlisk (Sydney Shapenote Singers).
The hollow square ready to welcome singers at the Dickson Street Space. By Meg Quinlisk (Sydney Shapenote Singers).

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